Friday, 19 March 2010
The Importance of being Spotted
Spots and dots, what do they do? Leap, walk, march and polka over yards and yards of fabric, breaking up po-faced planes of plain colour into exuberant labyrinths that evoke fun, innocence and happiness. Their expounders range in type and temperament from Damien Hirst to Cath Kidston, to Pudsey Bear. The more brightly-coloured the spots are, the better, bringing to mind Smarties, those mouth-watering candies of childhood.
Coloured spots evoke long, sunny, salad-filled days; flowers, rainbows, babies, nursery walls and cuddly toys. No wonder there is a dessert called Spotted Dick. And how can you not love a critter that is covered in spots? Just look at the adorable Dalmatian. Spots denote nobility too, witness the invincible cheetah. Any successful actor/singer/writer will tell you how they went from nowt to acclaim the day they were spotted – har!
Thursday, 11 March 2010
Why I love ducks!
The duck has been getting a bad press lately, especially when the media uncovered a number of them living in Westminster-subsidised housing. Indeed, our ire has been such that we are in danger of throwing away the meat with the left-over sauce. After all, the duck has contributed to so many arenas of life, from the arts to the dinner table, that it deserves a sound-out now and again.
Throughout the ages, the duck has inspired creativity, from those wonderful dog-and-duck public house signboards, to the flocks of flying ornaments that grace the walls of household halls up and down the country, to the Marx Brothers movie of 1933, Duck Soup. The duck has contributed to the English language with words like ‘duckboard’ and ‘duckweed’. The duck has provided a word that means a female bird, a way of avoiding things, a type of cloth, and an indispensable bathroom-furniture cleaning thingummy.
So let’s not begrudge our feathered friend his subsidised home. After all, the taxpayer provides housing for humans. Instead, on this fine spring day, let’s sound for this web-footed wonder, one great, resounding quack….
Saturday, 6 March 2010
When men wore tights...
Some time ago, I pronounced on the extraordinary cult of the female leg and how, in order to get anywhere in this world, a girl has to have hers eternally on display. It wasn’t always thus. In the Middle Ages, it was the male leg that endowed a man with status, while drawing orgasmic gasps from many a young maid. Just look at all those medieval images of men in tights. No wonder Robin and his merry men led such a successful Sherwood Forest campaign.
A few centuries down the line and Renaissance ladies swooned at the sight of illustrious alpha males such as Henry VIII prancing about in court dances devised especially to show off their pins – no wonder the Monarch drew six wives! The cult of the male leg continued until the eighteenth century although by now the appeal, like the leg, had been halved. Knee breeches covered the top half of the shank while the calf and foot were resplendent in silk stocking and buckled shoe.
By the nineteenth century, the cult of the male leg was on the wane, what with the advent of long trousers. However, there is in existence a painting of the young Queen Victoria in company with her beloved Albert, (name of the artist escapes me). The bright, red boots that encase his legs signal dangerously his most (to Queen Vic) erogenous zone. The curtain rises on the twentieth century and along with it, the hem of the female skirt. The male leg is dead forever. Methinks, what irony? Just as woman is freed from her whalebone corset, she is handed another zone to maintain. Ah me, if I could go back in time, it would be to when knights were bold and maidens young and old could conceal their less than perfect pins under full-length skirts. I’ll bet it was much warmer, too.
A few centuries down the line and Renaissance ladies swooned at the sight of illustrious alpha males such as Henry VIII prancing about in court dances devised especially to show off their pins – no wonder the Monarch drew six wives! The cult of the male leg continued until the eighteenth century although by now the appeal, like the leg, had been halved. Knee breeches covered the top half of the shank while the calf and foot were resplendent in silk stocking and buckled shoe.
By the nineteenth century, the cult of the male leg was on the wane, what with the advent of long trousers. However, there is in existence a painting of the young Queen Victoria in company with her beloved Albert, (name of the artist escapes me). The bright, red boots that encase his legs signal dangerously his most (to Queen Vic) erogenous zone. The curtain rises on the twentieth century and along with it, the hem of the female skirt. The male leg is dead forever. Methinks, what irony? Just as woman is freed from her whalebone corset, she is handed another zone to maintain. Ah me, if I could go back in time, it would be to when knights were bold and maidens young and old could conceal their less than perfect pins under full-length skirts. I’ll bet it was much warmer, too.
Subscribe to:
Posts (Atom)